

VEKKS & KostNixLaden
Ratschkygasse 14/1 (Eingang Erlgasse) 1120 Wien
Tel.: +43(0)681 10619938
Email: georg.stejskal@drei.at
Überblick
4.11.2025 19h30 Einlass
Ji Youn Kang & Clara de Asís
Luc Döbereiner & Leonie Strecker
Ayşe Deniz Birdal
Ji Youn Kang & Clara de Asís
Luc Döbereiner & Leonie Strecker
This evening consists of three sets:
Ji Youn Kang
A performance as a live construction of an unstable sonic machine, circuits, metal plates, and electromagnetic feedback form a system where sound emerges from shifting relations between material, performer, and signal. Through acts of tinkering, the piece reveals the hidden vitality of matter and its dynamic behaviors.
Ji Youn Kang is a composer and performer of electronic and instrumental music. Her work often draws from Korean shamanistic traditions while exploring spatial sound and handmade electronics. She teaches at the Institute of Sonology in The Hague and performs internationally.
- Clara de Asís & Luc Döbereiner
The duo unfolds reduced sound textures with synthetic (analog and digital) sources, moving between isolated harmonic states and noise. The music emphasizes spatiality, the materiality of listening and sound reproduction, and the interplay between reduction and multiplicity of sound sources.
Clara de Asís is an artist and composer working with electronics, objects, and instruments to investigate listening, perception, and social-material contexts. She creates works of different formats encompassing performance, audio pieces and installations.
Luc Döbereiner is a composer, musician and researcher exploring the fragility and materiality of sound, often using generative processes and synthesis.
- Leonie Strecker
In her solo performance, Strecker explores presence, absence, and memory through concrete and synthetic sound, evoking ambiguous meanings and creating spaces for individual and collective listening.
Leonie Strecker is a composer and sound artist based in Vienna. Her work includes electronic and electro-acoustic music, compositions for soloists and ensembles, as well as performances and installations. She explores ideas around the hybridity of form, presence and absence, the connection of memory and experience, and the meaning of concrete and synthetic sound.




Ayşe Deniz Birdal (Istanbul, 1996) started studying at the Istanbul University State Conservatory at age 10. She continued her studies with Julius Berger in Augsburg. She won first place in the Rudolf Matz Strings Competition and second place in the International Johan Andreas Stein Strings Competition, where she played, among others, her own composition Sky-Cut.
Birdal played multiple festivals, including the Menuhin Festival Gstaad String Academy and the Kronbeg Academy Cello Festival, and played as a soloist with the Kaunas Philharmonic Orchestra, among others.
She has a strong interest for contemporary classical music and music from her home country. She is also an enthusiastic improviser.
With her artistic identity, she is building a bridge between genres and cultures, to express her identity as a human being and a woman who migrated from Turkey through Europe to pursue an artistic career, and to narrate her experience through life and cultures.


“wiRRR2” & muri anda — Live at VEKKS, Vienna
An evening between ritual, sound, and transformation.
wiRRR2 is the collaborative project of austrian performance and noise art artist Doris Steinbichler and percussionist and drummer Lukas Wöber.
Through an intuitive interplay of vocals, drums, and effects, they weave a pulsating web of tribal rhythms, electronic textures, and mystical soundscapes — oscillating between drum & bass, punk, ethno, and ambient.
Steinbichler, active in Mexico City since the 1990s, merges performance, sound, and visual art with themes of social and gender awareness, while Wöber explores rhythm as a collective experience and an expansion of consciousness, marked by physical intensity and energetic flow.
Together, they form a performative ritual — raw, driving, hypnotic.
From Linz, muri anda joins the night: artist, bird watcher, and noise maker, moving freely through underground ecologies of sound, film, and improvised performance.
Her work is grounded in dynamics and momentum, in the interaction between the organic and synthetic, in deconstruction and re-creation — a sonic cycle of chaos, order, and chaos again.
Her performances are a visceral blend where free improvisation meets punk, meets obnoxious noise, always searching for new forms to emerge from the remains.
Two acts exploring the borders of structure and intuition —
transforming sound into a physical, ecstatic experience.




11.11.2025 19h30 Einlass
Berke Can Özcan & Jonah Parzen-Johnson
Phantanoise© Kollektiv feat. Ayşe Deniz Birdal
The music meticulously builds on itself, as two strangers from across the world weave percussive explosions, field samples, and forceful baritone saxophone melodies into something instantly solid & joyful. In an era of apathy and cynicism, this music is a reminder that the antidote to polarization is curiosity.
Recent press:
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“An arresting tangle of minimalist electronic drones, rumbling drums and modal jazz sax freakouts.” – The Guardian
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“Their shared rapport has led to a frequently tuneful unspooling.” **** – Downbeat Magazine
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“Sofisticanti tentativi di fourth world music che da Hassell portano alle vibrazioni contemporanee di Natural Information Society” – Blow Up Magazine


The Shape of Uncertainty
Phantanoise© Kollectiv feat. Ayşe Deniz Birdal
No script, no safety net — only the fragile geometry of sound unfolding in the moment.
The Phantanoise© collective creates sonic spaces between structure and dissolution, between resonance and resistance. Electronics, B-flat clarinet, soprano saxophone, trumpet, bass, percussion, and cello intertwine to form a vibrant fabric of tension and silence.
Free improvisation as a collective process – immediate, risky, open to whatever emerges.
Gero von Randow – electronics
Palatinszky Márton – bass clarinet, soprano saxophone, percussion
Helmut Steininger – trumpet
Milan Konrad – bass
Phantanoise© artist – electronics
Guest: Ayşe Deniz Birdal – cello
Die Form der Ungewissheit
Phantanoise© Kollektiv feat. Ayşe Deniz Birdal
Kein Drehbuch, kein Sicherheitsnetz – nur die fragile Geometrie des Klangs, der sich im Moment entfaltet.
Das Phantanoise© Kollektiv formt Klangräume zwischen Struktur und Auflösung, zwischen Resonanz und Widerstand. Elektronik, B-Klarinette, Sopran-Saxophon, Trompete, Bass, Percussion und Cello verschränken sich zu einem vibrierenden Gewebe aus Spannung und Stille.
Freie Improvisation als kollektiver Prozess – unmittelbar, riskant, offen für alles, was entsteht.

13.11.2025 19h30 Einlass
FreeForms
ANGELINA ERTEL - flöte
ELIAH ANTOINE EBNER - drums
EMIL GROSS - drums / "trio VOLCANO"
RADIM HANOUSEK - sax., bcl. / "trio VOLCANO"
ŁUKASZ MARCINIAK - guit. & eff. / "trio VOLCANO"
MARTON PALATINSZKY - bcl., s.-sax
GERO VON RANDOW - electronics
SEPP WEJWAR - electronics
VANESSA MATTEI SCARPACCINI - dance
CRISTIANA FUSILLO - dance
AYŞE DENIZ BIRDAL – cello
ein freier dialog der kreativen : tänzerinnen, musikerinnen, malerinnen, poetinnen und dem publikum ; das nicht existente JETZT greift auf raum und zeit zu. die FREIE KOMMUNIKATION rückt ins zentrum;
-> frei im sinne von in „augenhöhe, in gegenseitiger akzeptanz; hierarchie befreit bzw. befreiend“, offen kommunizierend und grenzen überschreitend. FREE FORMS ist offen für alle genres soferne sie sich dem freien, offenen, kreativen dialog aussetzen wollen.
-> JUST MUSIC ist teil der internationalen FREE FORMS bewegung.
------- english ------------
-a free dialogue of the creative : dancers, musicians, painters, poets and the audience ; the non-existent NOW accesses space and time. the FREE COMMUNICATION moves into the centre;
-free in the sense of "on an equal footing, in mutual acceptance; liberating hierarchy", communicating openly and transcending boundaries. FREE FORMS is open to all genres as long as they want to expose themselves to free, open, creative dialogue.
JUST MUSIC is part of the international FREE FORMS movement.

15.11.2025 19h30 Einlass
geheimWERKER
Kami Kaze – Gesang
Redlight Alley – Gitarre, Keyboard, Ukulele
FLOP – Schlagzeug, Percussion
Aki Streeter – Bass, Synthesizer
geheimWERKER ist eine Band, welche aus einem orangen VW-Bus auf die Erde losgelassen wurde. Gegründet unter einer grauen Ulme am Kreuzbergl, begann ihre lebenslange, höchstgeheime Tournee im Fischlpark.

Auf ihrer Tournee durch das Multiversum, speziell in den Tälern des Enceladus, schrieben geheimWERKER einige verstörende Songs, welche von psychedelisch bis eigenartig sein können. Auf der Setlist stehen auch ein paar Lieder von Heimwerker, welche eher Funkypunkymetal sind, und nichts mit geheimWERKER zu tun haben.
Die Band mag sich selbst absolut gar nicht. Aber vielleicht… naja… mögen Sie die Band ja…
16.11.2025 19h30 Einlass
VOLCANO – Gross/Hanousek/Marciniake
Ein internationales österreichisch-tschechisch-polnisches Trio. Sie lernten sich in Wien kennen und verwenden in ihrem Spiel Präparationstechniken und alternative Artikulationstechniken. Dabei bleiben sie der Tradition der europäischen frei improvisierten Musik, des Free Jazz und der Musik zeitgenössischer Komponisten treu. Darüber hinaus bringt jeder von ihnen seinen eigenen, von seiner Herkunft geprägten Klang in die Band ein.

Maria Carlas & Mylo Cywitz (IT/NL, Arnhem/Amsterdam)
Maria Carlas and Mylo Cywitz
Teun Doekes: synthesizers, keyboards, mandoline, pedals, glockenspiel
Carla Genchi, voice, keyboards, bass, objets trouvés, percussion.
Maria Carlas brings her versatile voice, impulsive key and bass work and synth ballads to Mylo Cywitz classical industrial compositions. Their live show includes a costumed show, a candle lit music stand and accompanying visuals as they wail on obscure minisynths, a glockenspiel, a mandolin, bass guitar and a recorder.
Maria Carlas (IT) and Mylo Cywitz (NL) started in 2017 performing shows together.
They have performed all over Europe separately as solo artists and in groups. Together they have performed in Portugal, Bulgaria, Germany and the Netherlands.
Chloé Bernier
Dance solo on an acousmatic music piece by Fred Marty (double bass): Palabre
Tentative d’arrêt de gain de temps. Écouter et vivre, simplement. Profiter des spirales et du silence.
Lucas Alvarado is a Chilean, composer and viola da gamba player, based in France. He has studied at the Conservatoire National Supérieur de Lyon and the Hochschule für Musik in Leipzig. He is specialized in early music and electroacoustic composition, being member in baroque and renaissance ensembles. Currently in Lyon he develops a multidisciplinary project that fuses medieval music, electronic composition, dance and video mapping. At the same time, he is an artist-in-residence as DJ for Noods Radio (UK), Radio Béguin (Fr) and Kapital Radio (Pl) making broadcasts around world, experimental music, field recordings and sound art.




24.11.2025 19h30 Einlass
Duit/Lehmann/Vuković/Widauer
Duit/Lehmann/Vuković/Widauer
Lorenz Widauer - Trompete
Nikola Vuković - Trompete
Ben Lehmann - Kontrabass
Valentin Duit - Schlagzeug
Das Quartett, speziell für diesen Abend aus alten und neuen Freunden komponiert, wird (größtenteils) frei improvisierend eine Musik für den entsprechenden Moment fantasieren, verhandeln und zu Gehör bringen.


28.11.2025 19h30 Einlass
Pretbladudem
Rechnung
Pretbladudem
• Pretbladu-was?!?! Ja genau „PretBlaDuDem“!!. Ein Wort, nach alter FrankensteinManier, zusammengeschustert aus den Nachnamen der vier jungen Musiker, die sich im August 2019 zusammenfanden um miteinander Musik zu machen und zu improvisieren. Wenn diese vier Instrumentalisten sich dazu entschließen gemeinsam zu musizieren, dann steht das Erzählen einer Geschichte im absoluten Fokus. Natürlich kann es passieren, dass die Erzählung von vielen Nebenhandlungen zersetzt ist, und der Zuhörer diesen zeitweise nicht folgen kann. PretBlaDuDem gelingt es jedoch immer wieder sich zu finden, die Mitmusiker zu spüren und so der Geschichte gemeinsam auch unerwartete Wendungen zu verleihen.

Rechnung
"Minimale Besetzung.
Minimaler Aufwand.
Minimale Lust auf Perfektion.
Die Rechnung geht auf!
Rechnung ist ein Projekt fernab glattrasierter Slim-fit Heuchelei.
Dem behaarten Ungetüm Menscheseins auditiv Ausdruck verleihen.
Impulsive Wortfetzen statt berechneten Einschmeichelversuchen.
Die Rechnung geht auf!"

