4. November 2022 19h30 Einlass
Marina Poleukhina, Alexander Chernyshkov, Didi Kern
Braucht s eigentlich keinen Text, jede und jeder kennt sie....
kommt aber trotzdem noch.
8. November 2022 19h30 Einlass Tiloš & Satoyama
ist Kornel Biro & Martin Dvoran
Zwei Bässe, Improvisation, Drone, Melody, Noise....
Jazz? oder doch etwas ganze anderes?
Luca Benedetto - Trompete und Keyboard
Christian Russano - Gitarren und Elektronik
Marco Bellafiore - Kontrabass und Elektronik
Gabriele Luttino - Schlagzeug, Glockenspiel
12. November 2022 19h30 Einlass Fixateur Externe &
MaN & RVR (Lahmacun Radio)
Encounter of sound poetry with noise music, experimental impro-vision, word images, sound veils, fragments of vision, distorted micro-spheres… Vibration, vibrational layers: filtering the performance through effect pedals back and forth with altered senses…
Rovar17 make loops and annoyes mixed with noises, Zopán resonates meta-linguistic thoughts into a microphone, all of which: Luca drives you crazy with saxophone and flutes, Gášò accompanies on deep-layered bass, and MaN conjures a massive visual (MaN-ual) around them…
MaN & RVR (Lahmacun Radio)
We are a DIY Noise, Experimental, Industrial and Ambient community in Budapest, Hungary since 2004. Yes, our focus mainly is on the weird music styles! We are also dealing with music publishing (https://havizaj.bandcamp.com/) and concert series (https://www.facebook.com/Havizaj/) besides the radio show.
17. November 2022 19h30 Einlass
Howie Reeve & Léonore Boulanger
Howie Reeve (SCO)
“Double Rainbow is not an easy listen at times, at all. But it is one that, if you give it enough attention, does begin to take a hold on your soul. It is a document of a kind of music that has long stood on its soapbox in squats and unseen spaces around the world. And the two musical protagonists, Howie Reeve and Kumio Kurachi, are part of a wider tradition of underground troubadours and gleemen, musical ranters and shakers, who hold audiences through their strength of character.” (Richard Foster, The Quietus)
"Howie Reeve is a unique and singular figure in the current British underground. Having spent over 20 years playing in a number of key Glasgow bands, since 2012 he has been performing solo on acoustic bass guitar, delivering a fragmented and dexterous music that takes in post-punk and avant-folk. Increasingly turning to songwriting, he further engages audiences with cryptic, intimate and unsettling lyrics. Resolutely DIY in his approach to music, he lives in Glasgow but appears to be perpetually on tour, whether in the UK, Europe or Japan." (Chris Joynes)
"Unplugged-punk genius Howie Reeve is a linchpin in Glasgow's DIY community…a breathtaking bass player." (Nicola Meighan, The Herald)
Previous collaborations include Andy Kerr (NoMeansNo), Mike Watt (Minutemen/The Stooges) and GW Sok (The Ex).
Léonore Boulanger studied drama, experimental jazz
improvisation and Persian music in Paris.
Her music reflects her wide interest in African folk and
in composers such as George Crumb, Teiji Ito, Harry Partch
and singer Meredith Monk.
For their fifth album, "Un lièvre était un très cher
baiser " Léonore Boulanger & Jean-Daniel Botta with
percussionist Laurent Sériès
compose and decompose a set of fragments of the outsider
art poetry of Ernst Herbeck from Gugging center in Austria.
Small formats for the movement, singed in german as in a
Kindergarten Krautrock : imaginary folk,
music boxes, r'n'b medievalism, motets and futuristic
madrigals set up like hopscotches, Byzantine mathematics.
19. November 2022 19h30 Einlass Luca Atzori (Almagesto)
Author, actor, singer-songwriter. Founding member of Mad Pride in Turin (a movement defending the rights of people with mental disorders). Started as the voice of the music group Hidre Intime, which won the Torino Sotterranea award in 2008. He studied philosophy at the University of Turin and acting with several teachers: Marco Viecca, Piero Ferrero, Valentina Veratrini, Anton Milenin, Riccardo Lombardo, and at the Turin Social Theater School. Author of the following books: "The Aberrants" (Anankelab). "Theorem of Stupidity" (Ensemble) "Gospel of the Infamous" (Heretic Editions), "A Man with Broken Eyes" (Rhizomes). He has self-produced the following records "Chi si addormenta da solo lenzuola da solo" 2017, "Mama Roque de Barriera" 2019, "Insekten" 2020, "Iperrealismo magico" (made through the Sanesi Prize in 2020), while the record "Almagesto" and "Disco per l'estate" were produced by the independent label "Radiobluenote", in 2021 the former and 2022.
Almagest is a journey, an opaque dream that narrates the Ptolemaic cosmology. The voices say something that no one can understand. Ancient and primitive songs. The geocentric perspective becomes an obsolete certainty. What was once believed to be true today is no longer true. So in this disc we explore the suggestions of an ancient knowledge, where characters like Regiomontanus and Trapezunzio, ancient mathematicians, appear. I imagine the look in the middle of the sea, in the night. The stars are far away, as is the Moon. But the mind is totally open. In that error of believing to be the center, hallucinations begin. Every mistake when it is believed to be true creates a real world. We know that Nietzsche said that the real world has become a fairy tale. That is why there are no assertions here. There is no sense. Only the opaque auditory vision of something that belongs to a time that never happened. less credits released June 24, 2021 LYR. LUCA ATZORI (IG. Luca_atzori__) MUSIC. ALESSIO CANNAROZZO (IG. Alessio.cannorozzo) MIX. ALESSIO CANNAROZZO PRESENTATION. LUCA ATZORI ARTWORK. DAVIDE BAVA (davidebava_)
25. November 2022 19h30 Einlass Remetemen & Tibia
"I can't talking about dreams, senses, clouds and other virtual things. I'm not a writer, but i'm a musician. Early '90 i started playing music in a punk and a traditional folk band. That was my music education... I making electronic music as remetemen for 20 years. I have mani kind of styles, i like mix the style-elements, more like wading through styles. My music content lot of improvisation and always change my setup. I never repeat myself."
...took my experimental ideas & effects to a complex foundation, improvised, noisy electric misty cloudy guitar sound-world between notes & overtones