17.11.2019 17h Beata Organa Frauenbilder
Beata Organa lädt zur Betrachtung und Auseinandersetzung mit ihren Frauenbildern.
Buffet und Getränke und musikalische Begleitung vefeinern den Nachmittag.
29.11.2019 20h30 Guillaume Gargaud
Guitarist, composer, improviser Guillaume Gargaud comes from Le Havre,
France. His eloquent and expressive playing has been heard alongside
dance and experimental cinema as well as in intimate duos formations
with pianist Burton Greene, Stephen Grew,Guy Bettini and Natalie Peters.
He also made intense duo with the drummer Marc Edwards. He's already
participated about twenty six albums with Utech Records Chant Records
and many more. He plays "solo" in Europe and the United States & Canada.
This night Gargaud will play an acoustic guitar improvisation.
Mit freundlicher Unterstützung von
Bezirkskultur Meidling
30.11.2019 19h30 LAUT FRAGEN
LAUT FRAGEN machen Electro-Postpunk im Irgendwo zwischen tanzbar und weird. Gegenwärtig vertonen sie Texte aus dem antifaschistischen Widerstand, live gibt es aber eine bunte Mischung aus altem und neuem Material.
https://lautfragen.bandcamp.com/
https://lautfragen.blackblogs.org/
bbpb: is a bunch of useless people driven by obsessions of producing noice and self-destruction.
Based in Klagifornia
Guitar - C.
Bass - M.
Drums - M.
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5.12.2019 19h30 Marcelo Armani / Elafante Branco
(Wiener Liegekonzerte)
ELEFANTE BRANCO
Elefante Branco (White Elephant) is the solo project of
electroacoustic improvisation developed by the sound artist Marcelo
Armani that has as its base and concepts the fields of concrete music,
minimalist and experimental music. The project is born in 2013 when
the artist feels the need to use a series of sounds and noises from
the recording of different sound landscapes captured in
urban and natural spaces. Fragments of sounds and noise
produced by machines, urban spaces, insects and animals. In live sound
performances, Armani produces in real time a series of compositions using
these fragments that are converted into small samplers and fired by electronic
equipment. Other textures generated by analog / digital synthesizers, sequencers
and effects are incorporated into the clippings of this sound landscape for the
production of layers and textures that explore the variaotin of frequencies, amplitudes and timbres. The intention is to propose the perception of volumes, surfaces and sonic spatialies that express sensations of densies, lightness, granulations, tensions, rhythms and environments that run through dimensional orders from micro to macro.
