

VEKKS & KostNixLaden
Ratschkygasse 14/1 (Eingang Erlgasse) 1120 Wien
Tel.: +43(0)681 10619938
Email: georg.stejskal@drei.at
JAIRO ENRIQUE BENITEZ HABIB: guitar and keyboards
MARTA ALICJA KURZYCA: clarinet and keyboards
PEREGRINAJE is a musical documentary created by musician and producer Jairo Enrique Benitez Habib, in which he has traveled through many countries around the world documenting street artists. This documentary, in turn, generated a soundtrack featuring 100% original compositions. As a project, he now presents his proposal as a duo with Polish clarinetist Marta Alicja Kurzyca, blending ethno-jazz with electronic nuances and a groove-filled style.



John Dorr
is a British born French based composer and
performer. After graduating in 2012 with a BMus in classical music he created the instrumental neo classical band Stems, releasing 4 albums and a BFI funded live soundtrack for the George Melies silent film A trip to the moon, touring Europe several times and performing over 400 concerts.
An album and immersive concert based on Ovid’s Echo, with songs influenced by the parallels between the ancient myth and the modern world of digital communication.
Delfina Cheb ist eine Sängerin und Komponistin aus Buenos Aires, Argentinien, die die Schnittstelle zwischen Tango und zeitgenössischem Lied erkundet. Mit ihrer Musik versucht sie, Brücken zwischen Tradition und Moderne zu schlagen, wobei sie das Wort als Banner benutzt. Nach ihrem Master-Abschluss in zeitgenössischer Improvisation versucht Delfina Cheb, ihre eigene Sprache zu entwickeln, indem sie Roots-Musik synthetisiert und interpretiert und dabei Elemente aus Jazz, Trova, Free und Folk aufgreift.
https://www.delfinacheb.com/
https://www.instagram.com/delficheb/




10.4.2025 19h30 Einlass
Free Forms
FreeForms
ein freier dialog der kreativen : tänzerinnen, musikerinnen, malerinnen, poetinnen und dem publikum ; das nicht existente JETZT greift auf raum und zeit zu. die FREIE KOMMUNIKATION rückt ins zentrum;
-> frei im sinne von in „augenhöhe, in gegenseitiger akzeptanz; hierarchie befreit bzw. befreiend“, offen kommunizierend und grenzen überschreitend. FREE FORMS ist offen für alle genres soferne sie sich dem freien, offenen, kreativen dialog aussetzen wollen.
-> JUST MUSIC ist teil der internationalen FREE FORMS bewegung.
------- english ------------
-a free dialogue of the creative : dancers, musicians, painters, poets and the audience ; the non-existent NOW accesses space and time. the FREE COMMUNICATION moves into the centre;
-free in the sense of "on an equal footing, in mutual acceptance; liberating hierarchy", communicating openly and transcending boundaries. FREE FORMS is open to all genres as long as they want to expose themselves to free, open, creative dialogue.
JUST MUSIC is part of the international FREE FORMS movement.

11.4.2025 19h30 Einlass
glupsk
Die Ballonmädchen (Gobi Drab & Michael Zacherl)
Glupsk is an abstract musical trio consisting of Vilhjálmur Yngvi Hjálmasson, Örlygur Steinar Arnalds and Guðmundur Arnalds, based in Reykjavik, Iceland. The trio grant themselves the freedom to explore whatever concepts, genres, or sounds that interest them at each moment. Glupsk ranges from making obscure electronic live-sets to being a experimental rock band with influences from doom-metal, no-wave and noise. Glupsk frequently collaborate with other musicians and artists, their latest album “Beyond Happy” was made with Sigtryggur Berg Sigmarsson and released at Superpang. Glupsk and Jakub Šulík will be performing together following their previous collaboration in 2021 with the focus on improvisation.
Vilhjálmur Yngvi Hjálmasson - Bass guitar
Örlygur Steinar Arnalds - Electric guitar, drums
Guðmundur Arnalds - Electric guitar
Jakub Šulík - Drums, synths and objects

Die Ballonmädchen:
Gobi Drab: Blockflöte , Stimme
Michael Zacherl: Scivolo
Die Ballonmädchen Gobi Drab and Michael Zacherl transform the abstracted sounds and textures of balloons into a unique performance. Gobi Drab, utilizing her voice and recorders, modifies their sonic appearance, capturing their fragility, sensitivity, and wide range of sounds. Michael Zacherl, performing on his DIY instrument, adds layers of organic-sounding electronics, creating a detailed performance. Together, they engage in playful interaction, inviting the audience on a captivating acoustic journey.

© Miro Kuzmanovic © Arnold Haberl


16.4.2025 19h30 Einlass
Golem Mecanique
Roger and the Pacemaker
Golem Mecanique
invokes an experimental sacred music, fed by mysticism and poetry. The dislocation of time, the continuous sound and the architecture of a dark cathedral are the patterns of the Golem Mecanique
music.
With a simple device, voice/electric process hurdy gurdy, the Golem projects the veils of suspended time, a journey backwards, a Pythia in ruins.
Several albums were released on Ideologic Organ, Cloudchamber rec or Distant Voices label.
Her last lp “ Siamo tutti in pericolo” will be released on Ideologic Organ in march 2025
https://golemecanique.bandcamp.com/
https://ideologicorgan.bandcamp.com/album/siamo-tutti-in-pericolo

C A N C E L E D
Roger and the Pacemaker
Punk Impro Duo
We are Seijiro Murayama and Roger Fähndrich, born in 1957 and 1982.
One improvised with Keiji Haino at the time the other was improvising walking.
We don't make music, but we play test gigs using voice, drums, electric guitar and lyrics.
----------------- oo ----------------
Seijiro Murayamas
künstlerische Aktivitäten bestehen aus Improvisationspraxis, interdisziplinärer Zusammenarbeit (mit Choreographie, bildender Kunst, Theater, Performance) und Workshops über Improvisation.
Er begann seine Karriere 1982 mit Keiji Haino in Japan und arbeitet seit 1999 in Frankreich.
Als Musiker und Improvisator hat er Mitarbeiter wie Jean-Luc Guionnet, Axel Dörner, Eric La Casa, Klaus Filip, Hugo Abraham, Roger Fähndrich. Das Schlagzeug und die Stimme sind seine Hauptinstrumente.
https://urojiise.wixsite.com/seijiromurayama/home

Roger Fähndrich"I’m a multi-disciplinary artist and musician born in 1982 in a Swiss working-class milieu. My work is essayistic and explores the interplay between socio-political realities and subjective self-understandings, or how narratives shape everyday life.As Roger F. & The Structure, I write and perform self-doubting, often paradoxical protest songs, that aim to foster critical reflection. I am also the founder of The Center of Negativity, a relational space for conversations about difficult emotions. This project emerged from my research on the parallels between artistic practices and emotional work.I often collaborate. Most recently, I improvise musically as Roger and the Pacemaker with percussionist and vocalist Seijiro Murayama. I have a multi-disciplinary work relationship on ecology and politics with Christina Stadlbauer and Pierre Rubio, which spawns performances and texts. In partnership with Tanja Schwarz, I lead seminars in art schools that delve into the intricate relationship between art and suffering. I am currently also working on a film with Juliette Joffé and School of Love.My studies include an MA of Visual Arts, Specialisation Autonomous Design, from KASK School of Arts Ghent (BE) and a BA in Fine Arts from Bern University of the Arts (CH)."

